The Riverside Church
Riverside Drive at 122nd Street
New York City

The Nave Organs
Built by Aeolian-Skinner Organs, Boston, Massachusetts

The Provision of an ideal organ for The Riverside Church offered a unique challenge to the designer and builder of the instrument because of the great variety of the musical requirements of the various services.

First, the organ had to be capable of adequately supporting and leading the singing of a vast congregation.

Secondly, it had to be planned so as to form a suitable accompaniment for the choir during the singing of anthems and oratorios, many of which call for great tonal variety and flexibility.

Thirdly, the tonal structure of the instrument had to form an ideal medium for the authentic rendition of the inspired composition of the organ of all periods.

In the planning there was also the problem of how to use advantageously the many excellent pipes from the old instrument without in way compromising the final result. These various requirements demanded a very complete instrument incorporating a great variety of tonal effects and a build-up and ensemble of considerable complexity and brilliance.

The plan, as carried out, comprises two organs controlled by a five-manual console located in the apse with the choir. The main organ, housed in the chambers flanking the apse, comprises a four-manual instrument having Great, Swell, Choir, Solo and Pedal Organs, together with an unenclosed Bombarde (Celestial) division placed in the triforium of the apse. The Antiphonal Organ comprises a very complete two-manual instrument located in chambers at the rear of the church. In this location a comprehensive Echo Organ has also been installed.

The reader will be interested to learn that on the request of the designer a complete survey of the acoustical properties of the church was made before the organ was built. This investigation resulted in the treatment of the ceiling of the apse and two bays of the Nave so as to remove the original absorbent qualities of these surfaces and convert them into sound reflectors., thus adding life to the acoustical environment of the building and thereby greatly enhancing the effectiveness of not only the music, but also the spoken word.

G. Donald Harrison, President
Aeolian-Skinner Organ Company
Boston, Mass.

Read G. Donald Harrison's announcement of the console in
The Riverside Monthly, November, 1948

The Riverside Church
Aeolian-Skinner Organ — Opus 1118
1955 Specifications

1955 Specifications in PDF Format
Printable Stoplist and letter from G. Donald Harrison

Chancel Great   Celestial
16' Violone 61 Mixture IV - VI 282
16' Quintaton 61 16' Bombarde 12
8' Diapason 61 8' Trompette Harmonique 61
8' Principal 61 4' Clarion Harmonique 61
8' Holzgedackt 61 Sub
8' Gemshorn 61 Super
8' Flute Harmonique 61
5 1/3' Quinte 61 Chancel Pedal
4' Octave 61 32' Contre Basse 12
4' Spitzprincipal 61 32' Bourdon 12
4' Flute Couverte 61 32' Contre Gambe (Swell)
2 2/3' Twelfth 61 16' Contre Basse 32
2' Fifteenth 61 16' Principal 32
2' Blockflote 61 16' Bourdon 32
1 3/5' Seventeenth 61 16' Violone (Great)
Kleine Mixtur IV 244 16' Gambe (Swell)
Fourniture IV - VI 292 16' Flute Conique (Swell)
Cornet IV - VII 377 16' Rohr Bourdon (Swell)
Cymbel III 183 16' Contre Viole (Choir)
16' Ranket 61 16' Quintaton (Great)
Tremulant 10 2/3' Gross Quint 32
Chimes 8' Principal 32
Harp 8' Spitzprincipal 32
Celesta 8' Cello (Great)
Sub 8' Rohrflote (Swell)
Unison 8' Quintaton (Great)
Echo 8' Bourdon 12
5 1/3' Quinte 32
Chancel Swell 4' Choral Bass 32
32' Contre Gambe 24 4' Nachthorn 32
16' Flute Conique 68 4' Rohrflote (Swell)
16' Rohr Bourdon 68 2' Blockflote 32
8' Geigen Prinzipal 68 Fourniture III 96
8' Bourdon 68 Cymbale III 96
8' Viole de Gambe 68 32' Contre Bombarde 12
8' Viole Celeste 68 16' Ophicleide 32
8' Salicional 68 16' Bombarde (Celestial)
8' Voix Celeste 61 16' Trompette (Swell)
8' Flauto Dolce 68 16' Serpent (Choir)
8' Flute Celeste 56 8' Trumpet 32
4' Prestant 68 8' Bombarde (Celestial)
4' Fugara 68 4' Clarion 12
4' Flauto Traverso 68 4' Bombarde (Celestial)
4' Unda Maris II 122 2' Regal (Solo)
2 2/3' Nazard 61 Chimes (Solo)
2' Doublette II 122
2' Spillflote 61 Gallery Great
1 3/5' Tierce 61 16' Quintaton 68
Dolce Mixture III - V 221 8' Principal 68
Plein Jeu IV 244 4' Octave 68
Scharff IV 244 4' Rohrflote 68
16' Contre Trompette 68 2 2/3' Twelfth 61
8' Trompette 68 2' Fifteenth 61
8' Hautbois 68 Fourniture III 183
8' Oboe d'Amour 68 8' Trumpet 68
8' Menschenstimme (P/F) 68 Sub
4' Clairon 68 Unison
4' Octave Trumpet 68 Super
Tremulant Echo
Sub
Unison Gallery Swell
Super 16' Bourdon 68
Echo 8' Gedeckt 68
8' Salicional 68
Chancel Choir 8' Voix Celeste 56
16' Contre Viole 68 8' Aeoline 68
8' Viola Pomposa 68 8' Vox Angelica 56
8' Viola Celeste 68 4' Geigen Octave 68
8' Erzahler 68 4' Flute Octaviante 68
8' Erzahler Celeste 68 2 2/3' Nazard 61
8' Dulcet II 136 2' Octavin 61
8' Concert Flute 68 Plein Jeu III - IV 202
8' Cor de Nuit 68 16' Fagotto 68
4' Montre 68 8' Trumpet 68
4' Koppel Flote 68 4' Hautbois 68
2 2/3' Rohr Nasat 61 Tremulant
2' Zauber Flote 61 Sub
1 3/5' Terz 61 Unison
1 1/3' Larigot 61 Super
1' Sifflote 61 Echo
Mixtur III - IV 196
Zimbel III 183 Gallery Pedal
16' Serpent 68 32' Bourdon (Chancel)
8' Petite Trompette 68 16' Principal 32
8' Cromorne 68 16' Bourdon 32
4' Rohr Schalmei 68 16' Lieblich Gedeckt (Swell)
Tremulant 8' Octave 32
Harp 8' Flute 12
Celesta 4' Choral Bass 12
Sub 16' Fagotto (Swell)
Unison
Super Echo
Echo 8' Viole Aetheria 73
8' Viole Celeste 61
Chancel Solo 8' Cor de Nuit 73
8' Gamba 68 8' Flute Celeste II 134
8' Gamba Celeste 68 4' Lieblich Flote 73
8' Doppel Flote 68 2 2/3' Nazat 61
4' Orchestral Flute 68 8' Cor d'Amour 73
2 2/3' Quinte Flute 68 8' Cromorne 73
2' Fife 61 8' Vox Humana 73
16' Corno di Bassetto 68 Tremulant
8' English Horn 68 Sub
8' Orchestral Oboe 68 Unison
8' French Horn 68 Super
8' Tuba Mirabilis 73
2' Regal 68 Couplers
Zimbelstern 6 Bells Chancel:
Chimes 25 Tubes Swell to Great 16-8-4
Tremulant Choir to Great 16-8-4
Harp Solo to Great 16-8-4
Sub Celestial to Great 16-8-4
Unison Swell to Choir 16-8-4
Super Solo to Choir 16-8-4
Echo Solo to Swell 16-8-4
Celestial to Swell 16-8-4
Great on Solo
Great on Celestial
Great to Pedal 8-4
Swell to Pedal 8-4
Choir to Pedal 8-4
Solo to Pedal 8-4
Celestial to Pedal 8-4
Gallery:
Swell to Great 16-8-4
Swell to Choir 16-8-4
Great to Swell 16-8-4
Great to Pedal 8-4
Swell to Pedal 8-4
Echo to Pedal 8-4